University of Iowa Iowa City, IA 52242 iris (France): 41 Avenue Gambetta 75020 Paris France e-mail: iris World Wide Web: Attp://no - Secrétaire de rédaction/Editorial Associates: Scott Benjamin (Iowa City). iris (USA): Institute for Cinema and Culture 162 Communication Studies Bldg. Rodowick Christian Metz} (EHESS), Dana Polan (University of Pittsburgh), David of Florida), (University of Rochester), Jean-Paul Simon, Maureen Turim (University Marc Vernet (Délégué Général de la Bibliothèque de l'Image). Fondateurs/Founders: Jacques Aumont, Jean-Paul Simon, Anne GoliotComité de direction/Editors: Dominique Bliiher, Claire Dupré la Tour,, Lauren Rabinovitz Lété, Margrit Trôhler (France), Rick Altman, Dudley Andrew (USA) sité de Paris ID), Comité de rédaction/Editorial Board: Jacques Aumont (Univer (Universita di Raymond Bellour (CNRS), Janet Bergstrom (UCLA), Francesco Casetti André Gaudreault Trento), Donald Crafton (University of Wisconsin at Madison), Hayward (Université de Montréal), Miriam Hansen (University of Chicago), Susan Nijmegen), (Birmingham University), Frank Kessler (Katholieke Universiteit N. Since 1989, the Spring issue is publis and the Fall issue in France. Begun in 1983, Jris devotes each hed in the United States of film theory or history. in film theory and the Iris is a biannual publication that presents current scholarship issue to a different aspect relation of image to sound. ris depuis 1989 paraît au et à l'automne en France. Depuis 1983, /ris consacre chaque numér printemps aux Etats-Unis théorie et de l'histoire du cinéma. 18, Spring 1995 is-anglais, qui paraît Iris est une revue de théorie de l'image et du son, bilingue franca o à un sujet particulier de la deux fois l'an. White is the most conventional of the three Color films, and while it is still one of my ten top films of 1994, I rate it an 8, slightly less than the highly visual Blue and the mind-bending Red.791.- REVUE DE THÉORIE DE L'IMAGE ET DU SON A JOURNAL OF THEORY ON IMAGE AND SOUND New Discourses of African Cinema Nouveaux discours du cinéma africain IRIS No. The central quest for liberty is personal the struggle for equality is fundamentally social. Blue's theme of Liberty, the first word of France's motto, is an individual's principle, while White's theme of Equality, the French motto's second word, requires at least two people. Unlike Three Colors: Blue, White is a more plot-oriented movie, with two main characters to Blue's one. But any more said of the instances of white in this film might spoil it for the first-time viewer. White is the fabric of a bride, chaste and pure at the outset of her marriage later it is the flash of an orgasm in the dark and then. Collectively, I would rate the trilogy as a 9 separately, I place each in my top ten for the years 19. They are each well worth seeing independently, but I believe they are best seen as one work. It is true they are distinct stories with distinct themes: liberty, equality, fraternity, and each them is developed with unique applications of intrigue and artistry. It is not only difficult to comment separately on the three parts of Kieslowski's trilogy, it seems obvious that the filmmaker wants us to do just the opposite: view them in order, Blue, White, and Red, and consider them together as one complete work.
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